At last years Clandestino Festival, I spent an afternoon with Leila and her tour manager brother (forgive me for not remembering his name, Ali, I think). The previous night she performed a set which comprised of long vocal samples, her own tracks and those of others, presented via turntable, cd player, her own effects units and lord knows what else and manipulating it all sitting in front of a 24 channel mixing desk.
She started her set playing a dialogue carried by an arresting ancient voice. The subject was ‘What is art?’ or something like that. Anyway the next day I asked her what was the dialogue she played. Leila not only told me, but gave me about six cd’s of music and dialogues that she used in her set, a million miles far cry away from dj’s who won’t tell you jack-shit when you ask “What track was that you just played?”
So during our afternoon taking in a bit of Gothenburg on foot, we talked briefly about Autechre. “You’ve got to get their first album” she said with an abundance of enthusiasm. I still haven’t got that album, but some of the bits I’ve got, they do it. I think it was a remix of DJ Food’s Sexy Bits, then a remix of Soft Ballet Forms knocked me for six.
Apparently they’ve been about for over twenty years. A new album is out on Warp Records soon. Which brings me to say, Warp got it going on this year. Also to come the follow-up to the Los Angeles album from Flying Lotus. Also the Gonja Sufi album which once again Mr. Lotus has a part it producing, mi madre! Oh yeah, Mr. Lotus speaks of his new album over at Pitchfork, sez too he’s doing a Massive Attack remix, figures dunnit?! I’m hoping it will be some of different tone that the remixes they’ve offered so far. Anyway, back to the meat, catch up on Autechre here:
Wh? aRe th(e)ir ti.tles s o crypt-ic andOR incomplete oRand a little tonginchikk-the driest sense of humour o/r a private game celebrating the necessarily vague and open-ended/a hygienic emptying of connections/typographical errirs3/spell check resisisting.